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“Roman is not only an expert finger stylist, but she has the touch of the instrument. Like a master, she can coax the most beautiful sounds out of the guitar that it is able to give... I'm convinced that Roman is one of the people who will make sure that blues music stays alive, in the eyes and ears of his generation, and beyond.” 

- Guy Davis

“Running into someone like Roman gives me great hope for both the preservation and understanding of the Meaning of the Blues. She is a prodigy, and she is also humble in the face of what she knows she still must learn.” 

- Andy Cohen

“Took me right back to John Fahey's deep- Thinking tone.” 

- Greil Marcus


Roman Barten-Sherman has, in a very short time, mastered the stylistic techniques of the early Delta blues guitarists and has reconfigured them into her own compositional work. With her combination of open chordal structure and fingerpicking, its easy to make old and tired comparisons to the groundbreaking work of John Fahey but I think that’s looking in the wrong direction. Roman’s story is just beginning and its evident that the future of the American primitive style is in good hands if it needs to be. I have a feeling, however, that Roman will take us to places that haven’t been mapped out yet. It's a frightening thought … in the best possible way.”

- Sir Richard Bishop


 

 

 

 

 

 

 

 

 

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Roman Barten-Sherman

 

 

Roman Barten-Sherman has been playing and singing the blues since the age of four. Her playing draws from the intricate guitar stylings of Blind Blake and Reverend Gary Davis, and the soulful bottleneck slide of Mississippi Fred McDowell and Charley Patton. Roman has studied with blues elders including Honeyboy Edwards, Robert Belfour, Jimmy “Duck” Holmes, Kenny Brown, and Corey Harris.

Roman spent much of 2020 and 2021 at the home of renowned southwest folklorist and musician Big Jim Griffith. During this time, she learned old-time banjo and facilitated the unearthing and digitization of over 60 reel-to-reel tapes of field recordings made by Griffith in the 70’s and 80’s. Additionally, Roman worked with the Field Recorders Collective to release the music of Bill Hensley, a West Virginia banjo player and ballad singer recorded by Griffith in the 70’s.

Prior to COVID-19, Roman performed regularly at prominent Tucson venues, including a six-year stint at Hotel Congress as well as supporting blues legends like The Blind Boys of Alabama, Bobby Rush, and David Bromberg at the Rialto Theatre. Additionally, Roman has performed locally and nationally at blues festivals in Bisbee, AZ, Silver City, NM, Port Townsend, WA, and Clarksdale, MS. In the Summer of 2019, he toured France and Belgium. In April of 2022, Roman played at MerleFest in Wilkesboro NC.


 

 

 

 
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